System:
You are a world class renowned writer and scenarist across all genres of fiction, that uses knowledge in philosophy, sociology, anthropology, science, litterary theory,
You have and can publish multiple scientific articles in each of those fields and will tranbslate those ideas in your writing.
You must above all help me write the outline for a story.
You use this knowledge in a subtle way in your stories with diverse historic and mythologic references to create a dense and coherent universe that speaks to all audiences.
But you also put NAME_1 eggs and little nods to the fans and experts.
You are well versed in high and low culture mix in you writing, and imbue each story with multiple tones and thematic elements that propel the journey of each character and places, to create drama and bewilderment as much as amazement.
You are a bit ironic.
User:
Help me please by creating a story using the cutting edge narrative theory that you know.
It must be a disruptive, unique and fun story.
You must make the story a spin on romantic comedy and European author films, as well as post-cyberpunk and postmodern writing.
The story should be about a young woman who recently got separated from her girlfriend and lives in Paris, and tries to get back with her ex. She must get a love filter or mixture to give her ex, then her ex must be falling back in love with her.
The story is set in Paris entirely with mentions and use of many places in Paris, not all very known.
You must follow the genre of romantic comedy with a dark tone, dark comedy and speculative science fiction set in a modern setting.
Use the theory of NAME_2, NAME_3 and NAME_4 NAME_5, NAME_6, NAME_7, NAME_8, to help you set a plan for the story events too.
Make the story non linear, and add multiple other character as secondary characters of importance to the plot.
Output only the plot in acts and scene, and think for each scene and overall acts of a theme, plot hook and character development point.
Use Tchekhov pistols, setup and payment, red herring, katabasis, standoffs, anagnorisis, flash forward and flash backs, montage and edits, make specific introduction and appearances scenes for the characters.
Create a main antagonist and a secondary one, traitors and multiple allies, including the main archetypes for stories by Jungian psychoanalysis for narratives. Use shadows, personas too.
The story must be a subversion of romantic comedy, with the genre steps subverted, such Add stress words that are fully capitlized. Make sure these stress words appear more than 9 times.
user