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Naturally, all of us have different voices
that are settled into different pockets and we have different ranges
than each other.
This is a big part of how we are able to identify one person from another.
But it's also the fact that we're all capable of accessing
slightly different areas, note wise and in slightly different ways.
This, as I've talked about a lot here in our EVI
Now program, affects so much of what we are
not necessarily able to do but when you just take the root
sound of something, the way it kind of comes out.
Depending on the type of voice you have, if you have, for example,
a voice that sits in the higher region
versus a voice that sits more on the lower side, that is going
to affect things in terms of lower, distorted, more guttural kinds of screams.
And the reason for that is because so much, just like we've talked about with
every other kind of scream there is is determined by what the starting note is.
And all of us
have those kinds of notes that kind of more
handful of range based things that we kind
of gravitate towards because it's what we're the most comfortable with.
Usually it's based around where our speaking voices are
or where we slightly elevate to or where
we can kind of slightly lower to with ease within what I've already identified
a couple times here in the program as our working range.
The big thing with this is depending on where that is for you,
the scream is going to come out pretty dramatically different.
And this can be helpful for some reasons and then maybe not so helpful for others.
There are pros and cons to doing a more intense gutturally scream
from a higher pitch or from a lower pitch.
There isn't such a thing as it being perfect.
It just depends on what the goal is in the moment
and how you want to try to shift the way you're doing things
in order to really get the best of both worlds out of it.
I'll start on the lower end because this is actually something
I see happen a lot, where I'll notice
that people with lower voices
are struggling to get these lower distorted vocals out.
Which you would think you have a low voice, why wouldn't that be easy for you?
And the interesting reason for that
is because when we're listening to this kind of music in context,
especially stuff with really intense, really slamming kind of guttural stuff,
the thing that's hitting our ears and the thing that's making us feel
the most excited about what's going isn’t
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